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The Order of the Day, by Eric Vuillard
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Review
Named a Best Book of the Year by NPR, Boston Globe, and Literary Hub“Vuillard’s writing is spare, angry and powerful…a chilling, brilliant look at the rise of fascism in the 1930s that also works as a warning for today.” —NPR, Best Books of the Year“Gripping…a tour de force…this unusual work…peel[s] away the veils of dissimulation, disguise and self-justification that conspire to make historical disasters appear as just the way things happen.” —Wall Street Journal“[A] remarkable account…It captures the bizarre blend of wishful thinking, clownish self-importance, and cold calculation that characterized many of the Nazis’ powerful enablers.” —The New Yorker“Extraordinary, disturbingly resonant.” —BBC“Powerful…a sure-footed blend of storytelling and reevaluated history…Each vignette works in isolation. Together they create a compelling picture. Eighty years on from the Anschluss, in an age of fake news and real threats, rising nationalism and diminishing freedoms, they also cohere into a timely cautionary tale.” —Star Tribune “Vuillard has a good eye for issues such as war, empire, the fate of colonized peoples, and the gulf between perception and reality…[His] prose—muscular, concrete, richly inventive, ironic, sardonic, opinionated—is no doubt the feature of The Order of the Day that most appealed to the Goncourt jury. Vuillard is expert at black humor.” —New York Review of Books “[The Order of the Day] scripts the awful behind-the-scenes march, with all its corporate and foreign complicity, from 1933 to Hitler’s rise to power in ways so closely observed it feels lived.” —Boston Globe, Best Books of the Year“[A] masterpiece…[Vuillard] illuminates in glorious and ugly precision how the concentration of wealth and power, a cult of personality, political corruption, bigotry, and narcissism are the necessary but sometimes ignored steps that lead to catastrophe.” —Kerri Arsenault, Literary Hub, Favorite Books of the Year“With chilling precision and moral authority, Vuillard draws a straight line between the marching orders Hitler gave to Germany’s moguls, and the Anschluss…Vuillard’s language is beautifully and economically crafted; his judgments raise crucial questions…a clarion call to our current era.” —The Millions “‘Don’t believe for a minute that this all belongs to some distant past,’ Vuillard writes, and this poetic, unconventional history compels the reader to agree.” —Publishers Weekly “A short, sublime history that provides a necessary and contemporary service by stripping away the mythic quality of Nazi fascism.” —PopMatters “In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.” —Kirkus Reviews “A slim but powerful volume.” —Foreign Policy “A staggering work…While Vuillard has mastered the art of presenting events with a grotesquely comical slant…he never lets up on the tension…a deeply moving book. Don’t miss it.” —France-Amérique “In this powerful, heartrending short book, Éric Vuillard demonstrates how slowly and inexorably a catastrophe unfolds: from a meeting in February 1933 of the captains of German industry gathered to finance Hitler’s rise to absolute power, through March 12, 1938, the date of the Anschluss, a prelude to the Final Solution that drove hundreds perhaps thousands of Viennese Jews to suicide, all the way to the Nuremberg Trials and the vileness of German industry’s complicity in Hitler’s death camps. A virtuous achievement!” —Louis Begley, author of Wartime Lies “A soul-piercing meditation on how the accretion of individual acts can save civilization—or hurl it into the abyss. Enable or obstruct? That is the choice when the future rests on a knife’s edge, Éric Vuillard shows in this haunting tale. His vivid portrait of the greed and timidity of two dozen business and political ‘leaders’ who refused to see what they might have stopped suggests that the future may well depend on the rest of us finding courage in ourselves and one another.” —Nancy MacLean, author of Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America “A fresh, multifaceted reexamination of a seemingly well-known moment of twentieth-century history.” —World Literature Today
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About the Author
Éric Vuillard is a writer and filmmaker born in Lyon in 1968 who has written nine award-winning books, including Conquistadors (winner of the 2010 Prix Ignatius J. Reilly), and La bataille d’Occident and Congo (both of which received the 2012 Prix Franz-Hessel and the 2013 Prix Valery-Larbaud). He won the 2017 Prix Goncourt, France’s most prestigious literary prize, for L’Ordre du Jour. His most recent book, Sorrow of the Earth, was his first published in English; The Order of the Day is his second. He lives in Rennes, France. Mark Polizzotti has translated more than fifty books from the French, including works by Gustave Flaubert, Patrick Modiano, Marguerite Duras, André Breton, and Raymond Roussel. A Chevalier of the Ordre des Arts et des Lettres and the recipient of a 2016 American Academy of Arts & Letters Award for Literature, he is the author of eleven books. He directs the publications program at the Metropolitan Museum of Art in New York.
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Product details
Hardcover: 144 pages
Publisher: Other Press; Translation edition (September 25, 2018)
Language: English
ISBN-10: 9781590519691
ISBN-13: 978-1590519691
ASIN: 1590519698
Product Dimensions:
5.3 x 0.6 x 7.8 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
32 customer reviews
Amazon Best Sellers Rank:
#67,260 in Books (See Top 100 in Books)
French author Eric Vuillard has written a very short book - if it was fiction, you'd call it a novella - about Nazi Germany. "The Order of the Day" begins and ends with short chapters about the major German industrialists of the 1930's and how they threw their support to Adolf Hitler and his Nazi Party. There were no clean hands among the Thyssens, the Krupps, or the other armament merchants who made nothing but money in Germany from 1933 to 1945. Money made using the free labor from concentration inmates, most of whom were literally worked to death.The middle part of the book is devoted to the machinations behind the German takeover of Austria in March, 1938. This included both political and armed threats directed at the existing Austrian government by the Germans and by the Austrian Nazi party. Vuillard gives interesting details about the German soldiers and dignitaries - including Adolf Hitler, returning to a city that he felt had rejected him in 1908.My problem with Eric Vuillard's book is that I felt that he wrote the book at a sort of emotional remove. His writing seemed to hover above the events and the people. It's a tough concept to try to explain in a book review and thankfully I don't feel that way about many books. I don't know know if this was in Vuillard's original writing or was the result of the book being translated from French to English.I can advise you to read Eric Vuillard's book if the topic interests you. But you might find yourself looking at the events from above.
A short book, but long on thought. This is a brilliantly written account by a French author of the take over of a welcoming Austria by Hitler's Germany and the complicity of still existing and thriving corporations in this crime.Having a prior understanding of the history of the era, while helpful, is not essential.The book has no chapter notes, so one relies simply on the accuracy of the author. This, to me, seems justified after reading this poetic history of a particularly dark episode of time.
The Order of the Day is a small volume which can be easily read in one sitting. The author is Eric Vuillard who is a French man. As a longtime student of World War II and Nazi Germany I enjoyed the book for its excellent and impressionistic literary style. In its few pages we see how mediocre corporate giants were swept into the cobweb of crime that was the notorious Third Reich. These moguls supported the Nazis with big checks and dull minds as they led their beloved Fatherland into the maw of the monster Hitler. Hitler's abuse of the Austrian chancellor is a tour de force of descriptive writing as Austria came under the hegemony of the evil regime in Berlin. The only problem I had with the book was that it was too short! I hope the author continues to write about the Third Reich and applaud him for his excellent writing skills.
To me this book is extraordinary. The literary style is remarkable. I loved this book. The historically accurate narrative borders on the lyrical. I wish the book was longer and I hope the author puts his considerable literary skills to further writings on the topic of WW2.
Vuillard's intricate scenarios paint a shameful portrait of big business complicit in Nazi Germany's war machine. Once you learn these truths you'll always carry them.
About 70% of this book is filled with irrelevant asides. I have less understanding now of what happened when Germany annexed Austria than I had before I read this book. More a series of off topic ruminations than a history. Avoid this at all costs.
Vuillard, author and filmmaker, dramatizes the Anschluss (Spring, 1938), filling his short book with anger and thinly veiled derision. Setting the scene, early in the book, with his characterization of the Hitler Schuschnigg meeting in Berchtesgaden, Vuillard queries “[w]hat was he [the Austrian chancellor] doing in this hornet’s nest?†All but captive and intimidated, Schuschnigg capitulated in the face of Nazi threat, contending he was coerced into the agreement to make Austria a German state. He is “easy pickings†for Vuillard who excoriates him, calling him a “pinhead,†ignoring the immense pressure on him and Austria and deriding his imprisonment once he stepped down. What follows after is more of the same; fiction masquerading as history. Vuillard’s book is possessed of the shallowness of the modern trend towards cinematic history, fueled by palpable anger, slim on details and devoid of historiographic scholarship.
I thought I was buying a novelistic interpretation of the annexation of Austria, 1938. What I received instead was a jejune political diatribe on the human condition, democracy, capitalism etc. One star beyond one for decent writing skills even in translation but the joke wears thin fast even in a book this short. Sad really.
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